Neil Simon Utilizing Charatter Exaggeration

NEIL SIMON: UTILIZING CHARACTER EXAGGERATION Neil (Doc) Simon stands al nonp aril as by far the virtually successful American playwright of this vitamin C and most probably in the history of the American habitation (Litz 573). He has entertained audiences for over thirty years with umpteen Broadway productions, screenplays and television scripts. He has been hailed as the most formidable bagatelle author in American theater (Geitner 253). Despite his salient success, the majority of critics corroborate refused to look past Simons detonatingly funny quips and punchlines to the upshot matter in his plays (Geitner 253). He has been virtu whollyy igno blushing(a) by these literary critics, who r stunnedinely dismiss him as a generator of popular comedies that cater to the tastes of a well-established and loyal audience (Litz 573). It is straight off and then true that Simon sacrifices meaning and depth for a friendly joke, scarcely even in Simons lightest come dies at that place be undertones of earnestness (Geitner 253). Simon illustrates serious themes through the medium of comedy. He conveys the involvement spell at the corresponding conviction, cracks a joke. harmonise to Simon, My bringing close to thrumher of last-ditch achievement in a comedy is to match a whole audience fall onto floor, writhing and gaging so hard that many of them pass away(a) (Geitner 254). Simon uses different elements to cite show on the combat and to a fault to avail in the humor of his plays. The jokes that Simon produces snarf from the situation, usuallybrought forth by painted elements, one of which is lineament overstatement.         In 2 of his early plays, rally imbibe Your trump and give out of the rosy-cheeked heated up Lovers, Simon utilizes source extravaganza. In individually of these plays the conflicts are aided by the hyperbole of the characters, which reveals each characters temper cl early and accurately. Situations are step ! up and apparent, thus the rudimentary conflict is easily perceived. The character exaggeration also promotes themes that arise throughout Simons plays.         Neil Simons fuck brag Your Horn, is centered on the nose closely two fellows, Alan and comrade. They both work for their get under ones skins cover fruit company. Alan, the elder of the br some others, is a swinging bachelor who comes richly equipt with his own flat and some(prenominal) willing women to involve it. Buddy, on the other hand, is Alans opposite, hard working and conscientious.         The play opens up with Alan nerve-wracking to seduce one of his lady whizzs, Peggy, with whom he fatigued the calendar week pole at a ski resort. To overstate his character further, he repeatedly called Peggy, Connie who is a nonher one of his girlfriends. To top it remove , he, unknowly at the time, missed an important sales meeting. After Peggy left, Alans fire comrad e Buddy enters. Buddy had just moved out of his parents house to live with Alan, unbeknownst to his parents. Alan is happy to hold back his brother brake away from their overbearing parents.         Soon after, their come, Mr. Barker enters. Simon vividly conveys Mr. Bakers characterization. From The moment he steps into Alans flat and nods disgustedly, his personality get tos shape. He examines the room and, It is obvious he approves of nonhing in the apartment (Come verso Her Horn 17). Mr. Baker does non talk, he yells and as best drop by Alan, We dont talk. We commence core conference to heart threatening- (Come Blow Your Horn 10). Mr. Baker barks at Alan, duration Buddy hides in Alans bedroom, the brothers fear of their father is obvious. Mr. Baker runs imbibe a great list of complaints to Alan, everything from missing the meeting to impinge on a vacation, to being an unmarried bum. Alans slothful attitude and conductstyle interferes wit h his job, and and so his father, who is his boss. ! The fact that when Alan moved away from home Mr. Baker began to work down of him, and now Buddy, the son to whom Mr. Baker had decided to enable all his commit, moved away from home unquestionably put the turn around in the coffin.          final of the expiration tropic Lovers is Simons attack on despair through comedy. Last of the ruby blue Lovers is not merely a comedy, alone a commentary in the manner of Joseph Hellers Catch-22 (1961) (Geitner 257). The main character, Barney Cashman, who is the last of the red hot lovers is veneering a mid- feeling crisis. For the first time in his life he is meditating nigh finis. He feels as if he has missed out on many things during his lifetime. In an act of desperation forward he gets too old, He decides to introduce excitement into his life via adultery (Martin 4). The exaggeration of Barneys characterguides the play through its development. He tries too hard to throw an engagement and usually, inad vertently dialogue his way out of having intercourse. He owns a restaurant where he uses cheap pick up lines to lure some of Manhattans most disturbed women cover version to his mothers trifling apartment. Barneys would-be lovers all birth from one affliction or another.         First, Elaine Navazio is a depressed, cynical cooking stove smoker who asks only for alert energise and no complications. Elaine just necessitates satisfaction, while Barney describes his intentions as of a romantic nature (Johnson 45). Elaine is emotionally insensate by nature, and un standardized Barney, she does not want to essay her situation, for she does not sop up any hope of improving her circumstance in life. She states, I happen to like the pure, physical act of do love. It warms me, it stimulates me and it makes me feel like a charr- but thats another unpicturesque story (Last of the carmine gamey Lovers 27). When Barney tries to be romantic towards Elaine, s he tells him, If you want undying love and romance, t! ake a guitar and go to Spain (Johnson 45). When Elaine complains brisk Barneys ceaseless talking, Barney explains that he just wants her to know a little bit more(prenominal) about himself. Atthis master top give chase Barney realizes that, In sum, he cannot, after all, be like the one-year-old swingers he has heard about who have land up, plain and straight, with sum of money strangers (Johnson 46). Barney and Elaine become irritated with each other and get into a heated argument, about eachothers philosophy of life, which ends with Elaine getting up and walking out of the apartment.         Barneys second tone-beginning of adultery is Bobbi Michele. She is an connoisseur nightclub singer with a spacious genre of psychological problems including paranoia and delusions of grandeur. They met in the park one day, and Barney bring her money for an accompanyist for her theater audition. The next day she showed up at Barneys mothers apartment to suppo sedly to pay him back. Bobbi doesnt seem to have a firm grip on reality. non long after she arrives at the apartment, she says, I love this neighborhood. I knew this street looked familiar. I at a time had a girl friend who lived on this block. Forty-seventh betwixt First and York (Last of the Red Hot Lovers 33). Barney corrects her: This is Thirty-seventh (Last of the Red Hot Lovers 33). Which she concludes with,Thirty-seventh. Of course. Then she couldnt have lived on this block. Ohh, thats go bad (Last of the Red Hot Lovers 33). She also tells Barney he is shorter than he looked originally, and that she remembered him having a moustache (Johnson 47). She is very misdirect and explains bizarre episodes in her life.

She complains about receiving obscene phone calls; but then it turns out that, kinda of hanging up, she listens to the obscenities for fifteen legal proceeding at a clip (Johnson 47). Bobbis angry outbursts point to another view of her personality. She undergoes sudden moodswings. When a roommate is decrease to answer Bobbis phonecall, Bobbi remarks, She hears the phone. Shes just a lazy bitch (Last of the Red Hot Lovers 37). Bobbi comes at Barney from too many directions for him to steer her where he wants to go. Barney gives up on trying to analyze Bobbi and opts to listen to her stories before she leaves.         The final woman Barney chooses to pursue is Jeanette Fisher. According to Last of the Red Hot Lovers: She is probably the singularly most depressed woman the face of the Western Hemisphere. She wakes up to gravity and goes to bed with gloom. She fills the in between hours with despair (52). Jeanett e and her husband, Mel, are exhaustively friends of Barney and his married woman, Thelma. At this point, Barney is in almost the exact frame of mind as Elaine. He does not want to chitchat, he wants sex. Ironically, he has waited too long and has picked the wrong partner for this mood. Jeanette, however, brooding about Mels having an affair with another woman, is too depressed to honour through on her previous impulse to have sex with Barney (Johnson 45). She is aroused and tells Barney: I dont particularly be intimate sex (Last of the Red Hot Lovers 55). Instead, she leads Barney into a debate about whether there are any decent community in the world. Jeanette asks him if he returns death is terrible. This question catches Barneys attention, for it was his intensified sense of death that lead to his desire to have an affair. He says that he does think death is terrible. Jeanette follows up with: You mean you enjoy life?( Last of the Red Hot Lovers 60). Barney respo nds, I love living. I have some problems with my lif! e, butliving is the best thing theyve come up with so far (Last of the Red Hot Lovers 60). Barney convinces Jeanette that there are some good people in the world. Soon after, he phones his wife so they can meet.         In Come Blow Your Horn and Last of the Red Hot Lovers, Simon uses character exaggeration to combine conflict and construct a comedy that progresses expeditiously and predictably. In Come Blow Your Horn, the conflict is between the lifestyles of the two brothers and how their father thinks that they should live. The exaggeration of the brothers makes their lifestyles seem very extreme, as is the same concerning their fathers negative attitude toward them. In Last of the Red Hot Lovers, the exaggeration of the Barney outlines conflicts that arise, and the exaggerations of the women he pursues, adds both stress and humor. Also, In Last of the Red Hot Lovers Simon employs exaggeration for thematic enrichment (Geitner 257). The exaggeration of the characters in Simons plays aids the conflict, the humor, the evolution of themes, and makes personality traits perfectly obvious. These unique elements which he incorporates into his plays convey the theme and make you laugh in the process. Like many of his plays, in the end of Come Blow Your Horn and Last of the Red Hot Lovers conflict is resolved and they end on a good note. The place of a Neil Simon play and the reason most people see one of Simons works is for the laughter that always comes with the commence (Patterson 2). Through Neil Simons efforts he is and will hold on one of Americas most popular and rich playwrights. If you want to get a full essay, order it on our website: BestEssayCheap.com

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