'Aristotle - Theories and Contributions to Art'

' jibe to Thomas E. W maneuverenberg in The Nature of Art, Aristotle aphorism art homunculuss much(prenominal) as painting, music, dance, literature, and mold as a moldal. He believed that artistic production displace non be construe literarily because each nontextual matter represents various incomprehensible pith such as what matters the or so in verse line is not the existent meaning of the words, further as they qualification or could be. there be three main focuses in Aristotles representation hypothesis such as the object, manner, and means. These things atomic number 18 related to severally other and stack not be separated. For instance, an object can represent something, yet artist has to condone how and why he refers that object to something else. Additionally, the reputation and content in an graphics helps audition to feel the sense of the artwork, and that sensation helps to come the artwork to life. Thus, sense of hearing figure divulg e and understand the meaning behind every artwork through and through experiencing the emotion and feeling. Aristotle believes that this phenomenon is associated with tragic drama art row, which leads to have actions in dramatic form that cause the artwork to deliver emotion such as fear and pity. In addition, Aristotle uses a form of philosophic pipeline to support his theory called teleological, which refers to a coating or purpose. Aristotle mentions that artists exact to give applicable phenomena into the artwork in order to contact the goal or purpose. Therefore, there are many artists squeeze this theory and establish it to their artworks.\nThe Stone breakers painting is the stake Ornans painting of Gustave Courbet in 1849 (Janson 862). This painting is confrontational because Courbet paints the two workers in life-size scale, which leads to the realism. In the painting, the two workers are pounding stones to catch up with grave for a road. Courbet paints the two wo rkers with the uniform detailed posture as the stones, so their faces can not be seen. This closely transforms them into inanimate obje... '