Themes in The Great Gatsby

Themes in The Great Gatsby\n\n1. THE CORRUPTION OF THE American DREAM\n\nThe American Dream--as it arose in the Colonial period and demonstrable in the nineteenth century--was ground on the assumption that from each one person, no matter what his origins, could succeed in life on the sole basis of his or her knowledge skill and effort. The vision was embodied in the holy man of the self-made man, just as it was embodied in Fitzgeralds own family by his grandfather, P. F. McQuillan.\n\nThe Great Gatsby is a novel about what happened to the American ambitiousness in the 1920s, a period when the old determine that gave substance to the dream had been adulterated by the vulgar pursuance of wealth. The characters are Midwesterners who take on vex East in interest group of this new dream of money, fame, success, glamour, and excitement. tom turkey and Daisy must rescue a huge house, a unchanging of polo ponies, and friends in Europe. Gatsby must have his enormous mansion f orrader he can whole step confident enough to try to win Daisy.\n\nWhat Fitzgerald seems to be criticizing in The Great Gatsby is not the American Dream itself tho the subversion of the American Dream. What was once--for Ben Franklin, for example, or doubting Thomas Jefferson--a belief in assertion and hard work has suffer what Nick Carraway calls ...the service of a vast, vulgar, and meretricious beauty. The energy that readiness have gone into the followers of noble goals has been channeled into the pursuit of index and pleasure, and a very showy, but fundamentally empty earn of success.\n\nHow is this substantial? I have tried to indicate in the chapter-by-chapter analysis, especially in the Notes, that Fitzgeralds review of the dream of success is developed primarily through the basketball team central characters and through definite dominant sees and symbols. The characters might be divided into three groups: 1. Nick, the observer and commentator, who sees what has gone wrong; 2. Gatsby, who lives the dream purely; and 3. Tom, Daisy, and Jordan, the foul ashes who are the prime examples of the depravation of the dream.\n\nThe primary images and symbols that Fitzgerald employs in develop the theme are: 1. the kelvin light; 2. the eyes of Dr. T. J. Eckleburg; 3. the image of the East and Midwest; 4. horn Eyes; 5. Dan Codys yacht; and 6. spectral terms such as grail and incarnation.\n\n2. SIGHT AND penetration\n\nBoth the character groupings and the images and symbols...If you exigency to get a ripe essay, order it on our website:

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