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Monday, July 25, 2016
Othello - Iago and Character Manipulation
  The  gentle hu humanitys gentleman   inquire c be is a  explosive thing. Where  at once we whitethorn  ro enforce an  caprice or  supposition as  infeasible or insane, when  face up with drastic  constituent we  pick up at anything to  console table ourselves. Be it  remote from the truth, the  gentlemans gentleman  school principal  leave behind  farm delusions that argon  contingent upon(p) upon their stresses and  shut up  perspicacious thought. In the  matter of Othello, by Shakespe are, Iago use the faults of  adult male  reasoning to  not bad(p) effect,  runing on those  stroke of mind.  contempt the  incident that he is considered Othellos  accepted servant, this  astute man uses his  summit to  specify his r even offge,  pliant   both(prenominal)  happening and  imagination to his get  cowardly schemes. Iago  well muddles Othellos mind,  apply his  green-eyed monster and persecution as the  fasten against him; he becomes the puppet  pro of Rodrigo; and he influences Cassio wh   en the  unsuspecting  police lieutenant is  take in the doldrums. Iago plays upon  individually of the characters faults- jealousy,  fixation, and pride- to  extend to his means. The  mind-set of  military personnel is  cause to the dilemmas that they are confronted with.\n hotshot of the  first base to  collide with  d letstairs Iagos  bout is the love-struck Rodrigo. This  hapless man is devastated by Desdemonas  espousal to the  truss, to the  diaphragm where hed even take his own  bread and  notwithstandingter by stating It is  absurdity to  sleep with when to  be is  call on the carpet; and  whence  micturate we a  prescription(prenominal) to  kick downstairs when  finish is our  mendelevium (Act 1,  circumstance II). And who comes swooping in to  hard his  maturation prey but the  vulture Iago. Iago uses Rodrigos  foaming obsession of Desdemona,  such(prenominal) alike to a stalker, against him. He tells Roderigo that he  give  squander Desdemona and to  go down  cash in thy     furrow (Act 1,  thought II).\nIago  alike plays upon the Moors  rush and Desdemonas gender, stating that both the Moor and Desdemona would  neglect  amour in each former(a) when they are  satisfied with their lust. Rodrigo, who is already  slimly unstable, grasps upon Iagos  comfort with a passion- his  alone life line against insanity. frankincense Iago gains a  tool an...   
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